THE BOURNE ULTIMATUM - Promo ads have been excitedly telling us that Jason Bourne "comes home" in "The Bourne Ultimatum." Which must bring him back to the bank, making another massive deposit for Universal Pictures. And back in New York, where his secretly filed identity will finally
be divulged. After many killings, a few more should do the job - he is haunted by their faces, but doesn't know their names. Bourne (Matt Damon) has been on the run for years, much like David Janssen's Richard Kimble in the old show "The Fugitive." But Kimble was highly human and vulnerable, while Bourne is more a Teflon torpedo: Damon plays him as if he had one tiny strand of DNA for emotion; the rest is all muscle and reflex. At the start he's wounded, being chased in Moscow then lams off to Paris, then Madrid, then Tangier, then "home." Though a solo fugitive pursued by ruthless black-op agents led by the world's most diabolical men, he can always find money, or a passport, or an access card. And a little quality time with nice Nicky (Julia Stiles) - she's about it for soul luggage. The story stays in overdrive. Every few minutes brings a frantic chase, explosion, fights, deaths, juiced by high-tech (computers, phones, spy cams) as Bourne's zigzag path confounds and frustrates the CIA master creep (David Strathairn). "Ultimatum" tries to stir sympathy for its indestructible hero. But Jason Bourne has all the charm of a howitzer. He needs some time with the Harry Potter bunch. A Universal Pictures release. Director: Paul Greengrass. Writers: Tony Gilroy, Scott Z. Burns, George Nolfi. Cast: Matt Damon, Joan Allen, David Strathairn, Julia Stiles, Albert Finney. Running time: 1 hour, 51 minutes. Rated PG-13. 2 stars.
|‘THE BOURNE ULTIMATUM' - Matt Damon is back as Jason Bourne in the espionage thriller 'The Bourne Ultimatum.' CNS Photo courtesy of Jasin Boland. |
4 STARS - Excellent.
3 STARS - Worthy.
2 STARS - Mixed.
1 STAR - Poor.
0 - Forget It (a dog.)
NO RESERVATIONS - Beware of elite restaurant stories that taste like processed cheese. Is that a special frisson de Velveeta we detect in the glowing, plushly served "No Reservations"? Catherine Zeta-Jones is a classy truffle as Kate, workaholic star chef at a Greenwich Village trendy spot, 22 Bleecker. Aaron Eckhart's Nick, a charmboy chef who challenges Kate's kitchen queendom, is a hearty steak. And as Kate's adoptive niece, Zoe, Abigail Breslin is still the fuzzy peach we adored in "Little Miss Sunshine." Now, she's Little Miss Mascot and wide-eyed cupid, much like fabled Eloise of the Plaza Hotel. Zoe sniffles moodily about her dead mom, but cozies into Kate's busy, busy kitchen. And she prods the budding, frisky romance of Kate and Nick that, as main course, is strictly lean cuisine. Carol Fuchs helped redo the menu, from Sandra Nettelbeck's 2002 "art" hit "Mostly Martha." Zeta-Jones subs just fine. But Eckhart, for all his manly stubble and dental dude smile, is just a big American stud who "loves all things Italian." From "Mostly Martha" to "Mainly Comfort Food" - by way of the Hollywood microwave. Even maternal death is just another flavor at the snack bar. A Warner Bros. release. Director: Scott Hicks. Writers: Carol Fuchs, Sandra Nettelbeck. Cast: Catherine Zeta-Jones, Aaron Eckhart, Abigail Breslin, Bob Balaban. Running time: 1 hour, 48 minutes. Rated PG. 2 stars.
THE SIMPSONS MOVIE - Don't have a cow, man, but "The Simpsons Movie" is an underachiever. For reasons either not fully explained or not at all memorable, Homer (voiced, as always, by Dan Castellaneta) becomes infatuated with a pig, which he brings home to become the latest member of the Simpson household. Marge (Julie Kavner) is aghast: A twirly tail is one of the ominous signs portended by Grandpa Abe in the speaking-in-tongues vision he experienced in church. Doesn't take long for the other signs to manifest themselves, and for Homer's blundering selfishness (triggered by - what else? - doughnuts) to engineer what seems will be the destruction of the town of Springfield. Various plot lines don't so much intertwine as take turns. Bart (Nancy Cartwright), fed up with his old man at last, eyes Flanders as a possible substitute. Lisa (Yeardley Smith) finds a kindred soul in a young musician/environmentalist from Ireland, whose father is not, he must keep insisting, Bono. At the outset, Homer ridicules us for paying for what we get for free on television. For once, Doughnut Man is onto something. A 20th Century Fox release. Director: David Silverman. Writers: Matt Groening, James L. Brooks, Al Jean, Ian Maxtone-Graham, George Meyer, David Mirkin, Mike Reiss, Mike Scully, Matt Selman, John Swartzwelder, John Vitti. Cast: Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Hank Azaria, Harry Shearer, Albert Brooks, Minnie Driver. Running time: 1 hour, 25 minutes. Rated PG-13. 2 1/2 stars.
HAIRSPRAY - It has taken nearly 30 years for John Travolta to make it from 1959 (in "Grease") to 1962 (in "Hairspray"). In his defense, the man's been busy, what with getting a sex change and gaining about 200 pounds. Travolta is the expansive Baltimore mom Edna Turnblad in "Hairspray," the new movie based on the recent musical adapted from the original '88 film. Although racial integration is a key "Hairspray" theme, what's really on the movie's mind is a broader idea of acceptance and the vessel for that message is a bubbly tugboat of a teen, Tracy Turnblad (Nikki Blonsky). Unlike Mom, who has exiled herself inside the family home since before Ike's first inauguration, Tracy refuses to feel shame about her weight. Tracy's life mission is to be anointed a dancer on the Corny Collins Show, a cheerfully bigoted TV dance program run by the frosty ex-beauty queen Velma Von Tussle (Michelle Pfeiffer, filmed deliciously in Vamp-O-Rama). Tracy, though, is all about integration, and when she gets sent to detention and hooks up with the black kids warehoused there (talented Elijah Kelley as Seaweed J. Stubbs among them), their dance moves become her catalyst to blow the Corny show wide open. Director: Adam Shankman. Writers: Leslie Dixon, John Waters, Mark O'Donnell. Composer: Marc Shaiman. Cast: Nikki Blonsky, John Travolta, Christopher Walken, Amanda Bynes, Zac Efron, Elijah Kelley, Queen Latifah, Michelle Pfeiffer, James Marsden. Running time: 1 hour, 57 minutes. Rated PG. 3 stars.
I NOW PRONOUNCE YOU CHUCK AND LARRY - Maybe it is a sign of health (but not much) that, nearly six years after the 9/11 disaster, New York firemen are not treated as saints in a Hollywood movie. Instead, "I Now Pronounce You Chuck and Larry" says they're a bunch of lovable buffoons, prone to silly gags during fires, and suddenly switching from glandular homophobia to get-along PC values. This Adam Sandler comedy grabs its material every which way. So frantically hetero that he has a virtual harem of bimbo dollies, fireman Chuck (Sandler) consents to pretend being gay with fire buddy Larry (Kevin James). He owes Larry a big favor, and widower Larry needs benefits that he will only get by faking a gay marriage - and never mind the entire prior histories of both men. The writers and director Dennis Dugan conspire to be gutsy in a gutless way. The stars barely dabble in gayness (nothing sexual), but they squirm a great deal and camp a little while always being covered: Larry remains fixated on his dead wife and his adorable kids, while Chuck preens a manly cigar, dukes out a nasty homophobe and has a pro-gay lawyer (Jessica Biel) who lets him fondle her prized breasts because she thinks he's gay. A Universal Pictures release. Director: Dennis Dugan. Writer: Barry Fanaro, Alexander Payne, Jim Taylor, Lew Gallo. Cast: Adam Sandler, Kevin James, Jessica Biel, Dan Aykroyd, Steve Buscemi, Richard Chamberlain, Ving Rhames. Running time: 1 hour, 40 minutes. Rated PG-13. 1 1/2 stars.
HARRY POTTER AND THE ORDER OF THE PHOENIX - Director David Yates' "Harry Potter and the Order of the Phoenix" is one of the best in what may prove to be the finest movie series ever made. With Daniel Radcliffe now budding almost manfully, Harry is deep into disturbing adolescence. Nothing like zit problems, more like: Can he save both the magic and mortal worlds from the Dark Lord often called you-know-who? Lord Voldemort (Ralph Fiennes) is taking over the gloriously weird universe again, marking Harry as special victim. In a typical Rowling masterstroke, the new internal evil at the Hogwarts academy of magic arts is Professor Umbridge, a fascistic pedant played by Imelda Staunton in stuffy pink outfits, like Queen Liz II as evil Avon Lady. The ensemble work is flawless, including all the familiars in the grand family of characters. A Warner Bros. release. Director: David Yates. Writer: Michael Goldenberg. Cast: Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon, Jason Isaacs, Gary Oldman, Imelda Staunton, Alan Rickman, Robbie Coltrane, Maggie Smith. Running time: 2 hours, 16 minutes. Rated PG-13. 4 stars.
YOU KILL ME - Contract killer Frank Falenczyk (Ben Kingsley) has left Buffalo for San Francisco to dry out after far too much boozing the hard way. No California wines can lure Frank once he gets the earnest hang of his AA meetings. But confession comes hard for a guy used to speaking through a silencer. There, he meets svelte shepherdess, Laurel, played as a comically dry, uplifting martini on legs by Tea Leoni. Her scenes with Kingsley give the movie its zippy sprints of adult charm, a certain pressure and percolation, like the bantering, seductive ploys of Pierce Brosnan and Rene Russo in "The Thomas Crown Affair." Kingsley maintains his usual excellence; for a man with nonstar looks he certainly does turn in star performances, meting out his large talent in fine increments. "You Kill Me" may be the best film endorsement of AA since the TV movie "My Name is Bill W." Despite so wry zigs and crafty zags, the story does tend to end up just where you think it will. An IFC Films release. Director: John Dahl. Writers: Christopher Markus, Stephen McFeely. Cast: Ben Kingsley, Tea Leoni, Bill Pullman, Philip Baker Hall, Dennis Farina, Luke Wilson. Running time: 1 hour, 33 minutes. Rated R. 3 stars.
TRANSFORMERS - It's a Hasbro ad. It's a Chevy commercial. It's a pitch for Homeland Security. (A pretty ineffective one.) There's a whole lot of shape-shifting going on in "Transformers," and that's not even counting the movie's hulking robots. Actually, the movie - "based on" the '80s toy line (the way a pit-bull attack is based on a flea) feels more like a commercial for its director, Michael Bay. Give Bay and company credit: The effects are amazing. The Transformers - they're robots from another planet, and beyond that it's not worth asking - morph from cars, trucks, planes and tanks into walking, stalking, lethal machines in a dizzying whirl of wheels and steel. As they transform, they look a bit like the world's most complicated Rubik's Cubes. By the end, though, the humans feel reduced to robots by the movie's crushing, numbing orgy of action. For the audience, the transforming gets lost in the translation. Director: Michael Bay. Writers: Roberto Orci, Alex Kurtzman, John Rogers. Cast: Shia LaBeouf, Jon Voight, John Turturro, Megan Fox, Josh Duhamel, Tyrese Gibson, Rachael Taylor, Anthony Anderson. Running time: 2 hours, 24 minutes. Rated PG-13. 1 1/2 stars.
LICENSE TO WED - "License to Wed" has a license to drop dead, and does. Directed by Ken Kwapis, a TV titan whose very name settles in quippishly with the quality of humor in the script, this laff pile was compiled (or composted) by writers we shall mercifully just call Kim, Tim, Vince and Wayne. That is more mercy than the movie extends to us. Mandy Moore and John Krasinski play Sadie and Ben, who meet cute, fall in love cute, tease cute, quarrel cute. The setting is Chicago, which often looks rather cutely like Los Angeles. But then comes the Ken Kwapis ace card, burning a hole right through the comic deck: Rev. Frank, played at the motorized lower level of his talent by Robin Williams. In order for Sadie to marry at her family church, she and Ben must submit to Frank's crash course in prenuptial exploration. This involves fake psychology, idiotic word games, queasy embarrassments, bits of physical cruelty, high-tech spying and Frank's indulging in fundamentalist "healing" even though he doesn't believe in it. A Warner Bros. release. Director: Ken Kwapis. Writers: Kim Barker, Tim Rasmussen, Vince Di Meglio, Wayne Lloyd. Cast: Robin Williams, Mandy Moore, John Krasinski, Josh Flitter, Peter Strauss, Grace Zabriski. Running time: 1 hour, 38 minutes. Rated PG-13. 1 star.
Capsules compiled from movie reviews written by David Elliott, film critic for The San Diego Union-Tribune, other staff writers and contributors.
RATATOUILLE - Only one letter separates pet from pest, and that "s" attaches to the tiny hero of "Ratatouille" like a stigma. After all, Remy is a rat. And he is in Paris, a great rats' city but also the capital of French cuisine. And never the deux should meet, as Remy discovers when he rises from the alleys and sewers to high cuisine (though raised on trash, this rodent has Remy Martin tastes). Inspired by the fabled cookbook of the late, five-star chef Auguste Gusteau, who lives large in Remy's imagination, the little hero finds his way to Gusteau's restaurant, which has fallen to three stars. Only Remy can fix that, allied with the clean-up boy Linguini, a shy teen probably related to the late Gusteau but not a cookery natural. In the new Pixar animation comedy, Remy first dazzles with a superbly improvised soup. He scampers its elements into a bubbling pot, and every bit of food or spicing seems to flavor the film. "Waitress" is a fine slice of pie, but "Ratatouille" is a gourmet occasion. Amusingly fine voices include Patton Oswalt as Remy, Lou Romano as Linguini, Janeane Garofalo as Colette, Ian Holm as Skinner and Brian Dennehy as Remy's dad, named for Django Reinhardt. If a bit long for a cartoon feature - probably a sign that its makers fell in love with it - "Ratatouille" is the eighth and one of the best Pixar features. A Disney/Pixar release. Director: Brad Bird. Writers: Jan Pinkava, Brad Bird, Jim Capobianco. Voice cast: Patton Oswalt, Peter O'Toole, Lou Romano, Janeane Garofalo, Brian Dennehy, Ian Holm. Running time: 1 hour, 45 minutes. Rated G. 3 stars.