Nov 23,2007 00:00
David L. Coddon
For The Beatles and for director Richard Lester, 1964's "A Hard Day's Night" was a tough act to follow and, as it turned out, an impossible one. Besides having the novelty of seeing John Lennon, Paul McCartney, George Harrison and Ringo Starr on the big screen for the first time, "A Hard Day's Night" captured Beatlemania like it was lightning in a bottle and offered the world a good-natured close-up of The Beatles being themselves. Timeless songs, too, including "Can't Buy Me Love," "And I Love Her" and the title track.
When The Beatles aren't lip-syncing their songs in "Help!" - or pratfalling while the song plays in the background, as with the "Ticket to Ride" snow scene - the film is draggy, and the repeated attempts to abduct Ringo and/or purloin his jewelry (either by Leo McKern and his cult crazies or the hambone team of Victor Spinetti and Roy Kinnear) are as redundant as a Wile E. Coyote cartoon. In short, "Help!" looked like a lot more fun to make than it is to watch.
"Help!" needed help, but it was not a total disaster. (In fact, the movie was commercially successful and immensely popular with fans.) The Beatles look great (especially when in their mod suits), and so do the shooting locations: the greenery of England's Solisbury Plain, the Austrian Alps, the beaches of the Bahamas. Even with a script that plays second fiddle to the sight gags, Ringo, John and even George get in a fair share of engaging one-liners. (Paul mostly just looks cute, which Paul did so well.)
Though it's been available on DVD before, "Help!" returns in a digitally restored version, with a remastered soundtrack and a companion disc of bonus features.
The film itself hasn't weathered the passage of time very well - unlike most of The Beatles' music, it feels too much a product of its era and self-consciously reflective of the psychedelic, anything-goes '60s. "Help!'s" is a one-joke script, and the boyish clowning is more akin to the Monkees' TV show than to the clever banter of "A Hard Day's Night."
But the digital restoration of "Help!," described in exhaustingly technical detail in one of the companion disc's extras, is impressive. The colors pop off the screen now, from the blues of the ocean to the shocking pink leather worn by femme fatale Eleanor Bron; and the contrasts are remarkably vivid, right down to the man-eating tiger that "threatens" a captive Ringo.
"It's like someone had dragged the (original) film through dirt," recalls one of the restoration technicians, "and we got the end product."
Notably absent in this new DVD package's special features is any presence of surviving Beatles Paul McCartney and Ringo Starr. In fact, the only footage of the band members talking about the film dates back to the time of its production and release; it's black-and-white, and unsubstantial.
That leaves non-Beatle cast members and the production crew to reminisce about "Help!"
Director Lester is full of interesting anecdotes (more on those momentarily), and the band's longtime friend and business confidante, Neil Aspinall, shares a few tidbits. But do we really care what the movie's makeup and costume supervisors remember? Or actors Spinetti and Bron (the latter at least still looks mah-velous)?
One featurette recalls a scene that was cut from the film that "starred" British actress Wendy Richard (you may know her from the slapstick sitcom "Are You Being Served?"). Another packages two theatrical trailers for "Help!", and then there's that film-restoration segment, which could have been half as lengthy.
The 30-minute documentary "The Beatles in 'Help!'" is the most rewarding of the second disc's amenities. It's here that Lester explains that the decision was made to build a fictitious story around The Beatles for their second film because the alternative - a movie about their private lives - would have been, in his words, "X-rated." So much for the lovably "naive" Liverpudlians.
Also in that vein, Lester confides that there was "an awful lot of pot-smoking" being done during the shooting of "Help!"
Added Aspinall: "There were red eyes everywhere."
Only the most sheltered Beatles fans will be shocked to hear that.
Viewed in 21st-century terms, the song sequences in "Help!" could stand alone as music videos: "Ticket to Ride" playing while John, Paul, George and Ringo slide down the Austrian slopes; George singing "I Need You" in the middle of the Wiltshire grasslands, with Stonehenge not far in the distance; the band "performing" "Another Girl" on a Bahaman beach, with Paul substituting a bikini-clad model for his electric bass. (It's not as provocative as it sounds.)
Lester has since been dubbed "the father of MTV," points out Aspinall, though the director himself is quick to decline the distinction. Why, we're not sure.
LEST YOU FORGOT ...
There's no single moment in "Help!" that's as memorable as the Beatlemaniacal chase through Paddington Station or the "Can't Buy Me Love" frolic in the park in "A Hard Day's Night." But "Help!" has its share of bizarre bits:
- Paul being shrunk down to miniature size, without his clothes yet.
- The Beatles, armed with brooms, in a heated game of curling.
- A chase through the streets of London to twangy music that spoofs the 007 theme.
- Ringo firing oranges out of a vending machine.
- Daredevil George hanging onto the roof of a moving car. (No, it was a stunt man)."Help!" did not make cinematic history as did its predecessor, but it has its worthy place in pop-culture, and pop-music, history. To see The Beatles, all four of them, in living, better-than-ever color is - there's no better way to say it - fab.