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Movie Review: 'The Ex'
May 11,2007 00:00
by
David_Elliott
Zach Braff is fine on TV and did a nice job writing, directing and acting in "Garden State." But his meal ticket is boyish cuteness - he's like a teen girls' chat room overhaul of Jon Lovitz.
'THE EX' - Amanda Peet and Jason Bateman star in the romantic comedy 'The Ex.' CNS Photo courtesy of Demmie Todd / Weinstein Co. It doesn't help that his father-in-law (Charles Grodin) gets Tom a starter job at an ad agency, a place so fiercely hip and feely and PC it's like a Stepford Bosses version of Pee-wee's Playhouse. It helps less that his given "mentor" is an ambition freak and vicious mind-gamer in a wheelchair, Chip (Jason Bateman), a smarmy egotist who once dated Sofia. With snake-on-wheels Chip, who might (we can easily guess) be faking his "lifelong" paraplegia, Jesse Peretz's movie offers a few risky snaps of anti-PC impudence. But it's also crawly with cartoonish attitudes, dumb twists, embarrassments, baby close-ups, joke violence, a windup kid actor named Lucien Maisel, Grodin echoing past glory as a top comic actor, Mia Farrow as his wife reduced to being a dim, dotty collectible (and not for her real fans). Chip invoking "The Karate Kid" as inspirational seems cynically apt (after all, he's shameless). But what's with the home-TV clip from Leni Riefenstahl's "Olympia"? Why make so much of cutie Maisel swallowing a hamburger? And why dangle the chance that Sofia may still have a nuzzle urge toward Chip, when any such move would obliterate the small family values core of the movie? All such questions collapse into: Who cares? This is TV previewed in theaters. It's like watching a sitcom give birth to a tiny, squalling sitcom, without relief by an epidural. We start to crave morphine. You might also want commercial interruptions, and a cable channel logo in the corner of the screen, even pop-up plugs for the next show. "The Ex" is extravagantly expendable.
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